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	<title>International Saxophone Committee &#187; Barry Cockcroft</title>
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		<title>Naked Hum for Alto Saxophone &amp; Piano &#8211; Taran Carter</title>
		<link>http://www.saxophonecommittee.com/naked-hum-for-alto-saxophone-piano-taran-carter</link>
		<comments>http://www.saxophonecommittee.com/naked-hum-for-alto-saxophone-piano-taran-carter#comments</comments>
		<pubDate>Sat, 24 Jul 2010 13:00:58 +0000</pubDate>
		<dc:creator>Barry Cockcroft</dc:creator>
				<category><![CDATA[Alto Sax]]></category>
		<category><![CDATA[Alto Sax & Piano]]></category>
		<category><![CDATA[Saxophone Music]]></category>

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		<description><![CDATA[Naked Hum (2006) is a virtuosic and atmospheric piece designed to explore texture, density, distorted repetition and disco rhythms. The work is dense and complex at times but has an inherent simplicity to its form and melodic material disguised through jagged octave displacements, extreme registers and irrational subdivisions of the beat.]]></description>
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		<title>Cloud Eight for Alto Saxophone and Guitar – Stuart Greenbaum</title>
		<link>http://www.saxophonecommittee.com/cloud-eight-for-alto-saxophone-and-guitar-stuart-greenbaum</link>
		<comments>http://www.saxophonecommittee.com/cloud-eight-for-alto-saxophone-and-guitar-stuart-greenbaum#comments</comments>
		<pubDate>Sat, 24 Jul 2010 10:08:32 +0000</pubDate>
		<dc:creator>Barry Cockcroft</dc:creator>
				<category><![CDATA[Alto Sax]]></category>
		<category><![CDATA[Alto Sax & Guitar]]></category>
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		<description><![CDATA[Australian Stuart Greenbaum’s Cloud Eight (1995; revised 2005) is an aspirational dialogue grounded – but not defeated – by brute reality, the resulting melancholia–tinged conversation concluding with an elated reverie that redeems and rewards.]]></description>
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		<title>Sonata for Alto Saxophone and Piano – Stuart Greenbaum</title>
		<link>http://www.saxophonecommittee.com/sonata-for-alto-saxophone-and-piano-stuart-greenbaum</link>
		<comments>http://www.saxophonecommittee.com/sonata-for-alto-saxophone-and-piano-stuart-greenbaum#comments</comments>
		<pubDate>Sat, 24 Jul 2010 09:58:21 +0000</pubDate>
		<dc:creator>Barry Cockcroft</dc:creator>
				<category><![CDATA[Alto Sax]]></category>
		<category><![CDATA[Alto Sax & Piano]]></category>
		<category><![CDATA[Saxophone Music]]></category>

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		<description><![CDATA[A Sonata in 3 movements
1: Moderate, Expansive. A lyrical, post-minimal construction which presents rhythmic challenges against constant time signature changes and working its way up into the highest register of the instrument.
2: Slow, theme and variations: notable for the use of the saxophone in blending with the piano but also in the use of the solo unaccompanied line to represent both line and harmony.
3: Fast, mercurial. The final movement is marked at a frenetic, challenging tempo of 180 – 200, and like the first movement features constant changing of time signatures.]]></description>
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		<title>Crazy Logic for Alto Saxophone and Piano – Matthew Orlovich</title>
		<link>http://www.saxophonecommittee.com/crazy-logic-for-alto-saxophone-and-piano-matthew-orlovich</link>
		<comments>http://www.saxophonecommittee.com/crazy-logic-for-alto-saxophone-and-piano-matthew-orlovich#comments</comments>
		<pubDate>Sat, 24 Jul 2010 07:39:25 +0000</pubDate>
		<dc:creator>Barry Cockcroft</dc:creator>
				<category><![CDATA[Alto Sax]]></category>
		<category><![CDATA[Alto Sax & Piano]]></category>
		<category><![CDATA[Saxophone Music]]></category>

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		<description><![CDATA[In composing the work, I have chosen to use musical ideas of a mostly intense and driving nature. My melodic lines comprise semiquavers which twist, scurry and traverse up, down and around the musical staves at a great pace. Furthermore, the two instrumentalists often play in unison or at the octave, lending added urgency and directness to the music.]]></description>
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